The marker of status turns into understanding the work as a substitute of necessarily proudly owning it, and the paintings stays an upper-class exercise. Special preparations have been made to allow the public to see many royal or private collections placed in galleries, as with the Orleans Collection mostly housed in a wing of the Palais Royal in Paris, which could be visited for many of the 18th century. In Italy the art tourism of the Grand Tour grew to become a serious industry from the Renaissance onwards, and governments and cities made efforts to make their key works accessible. The British Royal Collection stays distinct, however large donations such as the Old Royal Library have been produced from it to the British Museum, established in 1753.
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